After I died, I became popular againCh50 - Ha Ha Ha

 

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🌺 Elanor [Translator]
Just a fujoshi who enjoys reading, editing and translating.
Buy Me a Coffee at ko-fi.com

Translator's Note

this is a folk saying that means just because you have not done something, doesn’t mean you have no knowledge about it or doesn’t exist.

Translator's Note

they mean nightlife, bar, etc

Translator's Note

type of brand of cigarette

Translator's Note

老人头 LEONARDO.. “Old Man Head” is a famous brand logo

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20 comments

  4. Qi Lingqing is a reincarnator though. Not transmigrator. Because he’s in the same world in the future times.

    Thanks for the chapter

    ❣❣

    • Didn’t they say he was in a book now? Which is interesting, because he was in the past, and the book has a modern setting complete with a show that was filmed and they wouldn’t have had TV or known what that was. I guess I shouldn’t think too much! lol

  6. WHAHAHAHAHAHA, I just knew Zhong Chen will follow Linqing in the studio.😏😂

    Thank you so much for the update, till next time po.💕🥰🥳

  11. Why you gotta be so cautious, QL?

    😂😂😂😂

    Your apprentice just wants to recognize his master

    😂😂

    Thx for the chappy

  18. Having done some art, upright drawings become easier if you have some experience with painting, particularly with Chinese ink and wash paintings, because the arm and wrist positions are largely the same. The primary difference is that, unlike with ink and wash paintings, your wrists need to be more limber and flexible in order to make natural and flowing lines on a small scale, whereas your elbow and shoulder will be utilized to make broad strokes, similarly to how it is utilized in painting. There is some significant overlap in skills, they just require a little modification. This is, of course, assuming that you’re using a pencil. If you’re using willow charcoal or soft charcoal/pastels, you can actually hold them exactly the same as you would the pen for ink and wash painting. You will need to change the angle occasionally to make thinner strokes, but the overall grip should be roughly the same. You could also do this with a particularly soft pencil if you don’t care about line weight variation and just want to sketch out hard lines before covering it with opaque paints.The main thing that’s going to stump him entirely is oil and acrylic paints. They lay down VERY differently than ink and wash, watercolor, gouache, poster paints, and other water-soluble paints. The difference is in how the brush is held and how the paint is applied. Instead of strokes, you daub the thicker paints, rub them in, smear them, etc. It’s not about controlling the flow of the media from the bristles, but about pushing the paint onto the canvas. Having said that, he would be IDEALLY suited for playing around with acrylic inks. They’re heavily pigmented, incredibly smooth, very thin, and can be further diluted or used directly for deep, impactful colors. Except that wouldn’t really be expanding his repertoire as much as just adding a variation for a similar media.